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Contents: The gay/Super 8 connection : Berlin / Jurgen Bruning -- A cinematically divided city / Karen Rosenberg -- Self portrait with skull / Birgit Hein -- Interview with Michael Brynntrup / Steff Ulbrich -- Moderns in ruins / Madeleine Leskin -- Sucking the city pulse : interview with Penelope Buitenhuis / Torsten Alisch -- "The inter-view!" (with Michael Krause) / Niels Kruger -- A story from a Berliner courtyard / Katarina Peters -- Excerpt from an interview with Katarina Peters / Masud Rajai -- Die Alten Filme / Andreas Dohler./ Helmut Schanze -- "Painting in time" and "visual music": on German avant-garde films of the 1920s / Walter Schobert -- Ruttmann, rhythm, and "reality": a response to Siegfried Kracauer's interpretation of Berlin, the symphony of a great city / David Macrae. Kennedy School of Government, Harvard University, 1994. Studies in German literature, linguistics, and culture (Unnumbered) "Negotiating Identities: Media Representations of Different Generations of Turkish Migrants in Germany." In: Fragments of culture: the everyday of modern Turkey / edited by Deniz Kandiyoti and Ayse Saktanber. Contents: Introduction -- The "place" of television in film studies -- Feminism and film history -- German film theory and Anglo-American film studies -- After shock, between boredom and history -- Historical ennui, feminist boredom -- World weariness, Weimar women, and visual culture -- Nazi cinema at the intersection of the classical and the popular -- The Hottentot and the Blonde Venus -- Film feminism and nostalgia for the seventies. Weimar and now ; 11Germany on Film: Theme and Content in the Cinema of the Federal Republic of Germany / Hans Gunther Pflaum; edited by Robert Picht; translated by Richard C. Nazi-retro Film: How German Narrative Cinema Remembers the Past / Robert C. In this article, the author gives a short overview of the German newsreel production in World War II, noting some aspects of the newsreels that tend to put the idea of them as perfect propaganda into question." [Communication Abstracts] "Film Music in the Third Reich." In: Composing for the screen in Germany and the USSR : cultural politics and propaganda / edited by Robynn Stilwell and Phil Powrie. Nazi-retro Film: How German Narrative Cinema Remembers the Past / Robert C. Series title: Twayne's Filmmakers Series."With a few important exceptions, Third Reich newsreels have attracted little scholarly attention."On the Ruins of Masculinity: The Figure of the Child in Italian Neorealism and the German Rubble-Film." In: Italian neorealism and global cinema / edited by Laura E. Series title: Faculty research Working Paper Series; R94-12."Blonde Satan: Weimar Constructions of the Criminal Femme Fatale." In: Commodities of desire: the prostitute in modern German literature / Eited by Christiane Schonfeld. "Perceptions of Difference: Woman as Spectator and Spectacle." In: Women in the metropolis: gender and modernity in Weimar culture / edited by Katharina von Ankum. That feature film and documentary have attracted more is understandable, especially as many non-historians have been drawn to the subject.: on film history as intellectual history / Thomas Koebner -- The double, the decor, and the framing device: once more on Robert Wiene's The cabinet of Dr. The Role of Screen Heroines in GDR Cinema." In: Triangulated visions: women in recent German cinema / edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. Just recently, in June 2003, the first 100 hours of German newsreels were put on the Internet for research purposes, which was made possible through the cooperation of selected archives, copyright owners, and the DEFA foundation; a fourth of these newsreels are before 1945.
"German cinema." In: The Cambridge companion to modern German culture / edited by Eva Kolinsky and Wilfried van der Will.
Cambridge, UK ; New York, NY: Cambridge University Press, 1998. New York: Berghahn Books, 2003."Propaganda is a central issue for non-fiction film in the Third Reich.
Frederick, MD: University Publications of America, c1984. 4Contents: Activating the differences: expressionist film and early Weimar cinema / Dietrich Scheunemann -- Weimar cinema, mobile selves, and anxious males: Kracauer and Eisner revisited / Thomas Elsaesser -- Revolution, power, and desire in Ernst Lubitsch's Madame Dubarry / Marc Silberman -- "Bringing the ghostly to life": Fritz Lang and his early Dr. SUNY series, cultural studies in cinema/video."'World Conspiracy' to 'Cultural Imperialism': The History of Anti-Plutocratic Rhetoric in German Film." In: The Terministic screen: rhetorical perspectives on film / edited by David Blakesley. Carbondale: Southern Illinois University Press, c2003. Catalogue of forbidden German feature and short film productions held in Zonal Film Archives of Film Section, Information Services Division, Control Commission for Germany, (BE) / original text by John F. Catalogue de la rétrospective / présentée par le Musée du cinéma, la Staatliches Filmarchiv der Deutschen Demokratischen Republik et Bruxelles, Musée du inéma, Palais des beaux-arts, [rue Baron Horta, 9], 1969. von Gertraude Kühn, Karl Tümmler, Walter Wimmer ; Hochschule f. Some highly detailed analyses were down at the IWF in Göttingen, the German center for scientific film.
Mabuse films / Norbert Grob -- Murnau, a conservative filmmaker? Studies in German literature, linguistics, and culture (Unnumbered)"Models or Misfits? Film und revolutionäre Arbeiterbewegung in Deutschland, 1918 - 1932 : Dokumente u. From the 1970s on, there have been some books published by former cameramen and a few books on newsreels, but a detailed overview is lacking.
Eisner; [translated from the French by Roger Greaves]. Der historische Spielfilm im Nationalsozialismus / Hans-Gerd Happel. The newsreels determine the image of the Third Reich that we have in our minds today, since they form the basis for nearly all the popular historical programs on television.
Berkeley: University of California Press, 1973, c1969."Film history and visual pleasure: Weimar cinemar." In: Cinema histories, cinema practices / edited by Patricia Mellencamp and Philip Rosen. Fantastique et réalisme dans le cinéma allemand 1912-1933. Surprisingly, however, there is not much research in Germany about this area of film production.